A quiet beginning:... Instrumental colour... The opening tune a... The first big surp... Cellos and basses ... Horns, violas, and... A tiny detail from... Introduction complete A solo horn introd... The theme moves to... Long crescendo, tre... Transition to the ... Three-bar groupings... The sequence contin... The first violins ... The violins fall s... So now we have a... The same thing aga... Transition complete.... The 'bagpipe drone'... The tune is taken... The violins continu... Unexpectedly, we fi... Again we hear the... The suspense is he... This beautiful flut... A big crescendo le... The development sec... The beginning of t... Sequential chirping... Much of the develo... A tiny detail beco... Through a sequence... The main theme fro... After that major c... Dvorak flouts tradi... The tumultuous conv... Humpty Dumpty: putt... First movement (complete) The very opening c... The role of instru... ...and in enhancing... The cor anglais is... For the closing pa... The closing bar is... Back to the start... A change of scorin... The changes in sco... The flutes and obo... A memorable combina... Back in that woodl... The next section i... An abrupt change o... Subjectivity and ex... Cue to whole movement Second movement (complete) Dvorak, Beethoven, ... Using a little fan... When the theme is... Two little bursts ... It is the second ... Back to the beginn... Without ever being... Dvorak's very Czech... A clearly transitio... Sooner than we may... A new kind of ton... The flutes and obo... ...and the cellos ... A false alarm: it... Soon, after a very... The orchestral text... The Trio section i... In the second half... The main theme of... Then it is all a... Third movement (complete) Like the first mov... The main theme: an... The main theme, pa... The 'transitional' ... A point of future obsession The second half of... The 'obsession' tak... The hidden traps i... The unexpected entr... We meet the mice ... More 'Three Blind Mice' material The mice return to... Next, they are bac... Now they return to... Relief, at last: t... The mice yield to... The triplets of th... Reminders of past ... In fact there are... The violas react e... The rhythm of the... The march theme re... We reach an intere... Perhaps this is it... Tovey places the s... The main theme rec... This unexpected cri... The main theme ret... A glorious thematic... The dramatic highpo... The same chords ag... Now we are into t... Summary, context, a... Fourth movement (complete)